
The Heir
Not here to make friends.
Twenty women and one fake heir in a Solvang mansion called Villa Serena. He’s a swim coach from Sacramento. Keep him away from beer and honesty.
Up against Castaway Cove on Crestline. Notes arrive by fax.
Not here to make friends.
Twenty women, one fake heir, eight Thursdays at nine. America knows he’s a swim coach. The women don’t.
Three seasons of reality TV, played on iPhone and iPad. The first one is free.
Six of the 126 video confessionals across three seasons. They talk to the camera. You decide what airs.

“I’m not crazy. I have seen that man before. On a pool deck. In Sacramento. With a whistle.”

“Eleven p.m., I change outfits. I told the DJ. I told the camera guys. If a girl changes and nobody films it, did she even change?”

“A girlfriend? No ma’am. … Can we go again? I’d like that one to sound more like a no.”

“Y’all put a banjo under me. For the record, no Pickett in the history of Gulf County has ever played the [BLEEP] banjo.”

“I send all five men the same note and change the name at the top. It’s efficient. On the plane we call that beverage service.”

“She’s sure. I’ve been sure since the first night, but I wasn’t going to be the one who said it first, and now I don’t have to be.”
Each season has its own network, its own decade and its own look. The flip phone becomes a BlackBerry, then a voice note. The job stays the same.

Not here to make friends.
Twenty women and one fake heir in a Solvang mansion called Villa Serena. He’s a swim coach from Sacramento. Keep him away from beer and honesty.
Up against Castaway Cove on Crestline. Notes arrive by fax.

Thursdays at ten. Watch closer.
Eight people in their twenties, one beach house on stilts on the Florida Gulf, one dying cable channel. The show airs while you’re still shooting it, and every Thursday the cast watches what you cut.
Up against Palm Court. Notes arrive by BlackBerry.

Nobody under forty believes in marriage. Everybody believes in rent.
Thirty singles in sealed suites, dating by voice note. Every note goes through the Queue first. The lawsuit was filed this morning.
Up against your own last season. Notes arrive in the thread.
The Heir is free and complete on its own. Riptide and Sight Unseen are $2.99 each, or $4.99 for both.
You are Tess Darrow, and you produce all three seasons. You decide what they find out, what airs, what gets cut and who gets the villain edit.
Eight episodes a season. Every one gets shot, cut and aired, and every one gets rated.
Every season opens with five people, and you produce one of them. The casting notes are honest.
Knows exactly what this is. Dangerous. Great.
First plane ride was Tuesday. Keep an eye on her.
Scene after scene puts a decision in front of you, and every option says what kind of producer you’re being. Soften a moment, push a fight, plant a story, or tell someone the truth.
Monday, a converted dentist’s office in Van Nuys. Theo has a rough cut, a bag of sunflower seeds and the network on speakerphone. Hero edit, villain edit, what goes in the promo. You make the cut.
Somebody in this house is getting the villain edit. Every season has one. If you don’t pick her, Margo will, and Margo picks by hair color.
Theo can build it. Tap fragments of tape onto the timeline, in order, and play back a line built from things she said at different times. It needs Drama and Network behind it. The lower Trust is, the likelier it backfires.
Every episode airs against the other network’s show, and the numbers come back either way. Five meters run the season.
Crestline just put Castaway Cove in our time slot, so America can also watch a man eat a beetle. We beat the beetle or we’re done.
Every season ends with Tess in one of four places, and every fate has more than one way to land. Then everyone you put on television gets a Where Are They Now.
Kirsten Voss went back to dental hygiene in Folsom. She tells every patient she called it in week one. She did.
The Heir is free, all eight episodes. The later seasons are one-time in-app purchases. No subscription, no ads.
Eight episodes, five leads, every ending. Included with the download.
In-app purchase. The beach house, the hurricane and the reunion.
In-app purchase. The sealed building, the Queue and the deposition.
Prices shown in US dollars. The App Store shows the price in your currency. Purchases are handled by Apple and restore on any device signed in to the same Apple Account. Villain Edit depicts drinking, manipulation and adult situations.